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	<title>Música Do Dia &#187; soul</title>
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		<title>Joe Bataan &#8211; Call My Name</title>
		<link>http://www.musicadodia.com/joe-bataan-call-my-name.html</link>
		<comments>http://www.musicadodia.com/joe-bataan-call-my-name.html#comments</comments>
		<pubDate>Mon, 03 Nov 2008 16:04:52 +0000</pubDate>
		<dc:creator>musicadodia</dc:creator>
				<category><![CDATA[MDD]]></category>
		<category><![CDATA[afro-cuban]]></category>
		<category><![CDATA[Call my name]]></category>
		<category><![CDATA[jazz]]></category>
		<category><![CDATA[Joe Bataan]]></category>
		<category><![CDATA[latin]]></category>
		<category><![CDATA[soul]]></category>

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Joe Bataan (also spelled Bataán) (born 1942, in Spanish Harlem, New York City) is an Afro-Filipino American Latin R&#38;B musician from New York. In 1965, he turned his attention to music and formed his first band, Joe Bataan and the Latin Swingers. Bataan was influenced by two musical styles: the Latin boogaloo and African American [...]]]></description>
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Joe Bataan (also spelled Bataán) (born 1942, in Spanish Harlem, New York City) is an Afro-Filipino American Latin R&amp;B musician from New York. In 1965, he turned his attention to music and formed his first band, Joe Bataan and the Latin Swingers. Bataan was influenced by two musical styles: the Latin boogaloo and African American doo-wop. Though Bataan was neither the first nor only artist to combine doo-wop-style singing with Latin rhythms, his talent for it drew the attention of Fania Records. After signing with them in 1966, Bataan released &#8220;Gypsy Woman,&#8221; in 1967. (The title track is a Latin dance cover of &#8220;Gypsy Woman&#8221; by The Impressions.) He would, in full, release eight original titles for Fania which included the gold-selling &#8220;Riot!&#8221;. As a vocalist, Bataan&#8217;s fame in the Latin music scene at the time was only rivaled by Ralfi Pagan and Harvey Averne.</p>
<div>After his 1981 album, &#8220;Bataan II,&#8221; he retired from music-making to spend more time with his family and ended up working as a youth counselor in one of the reformatories he himself had spent time in as a teenager. In 2005, Bataan broke his long hiatus with the release of &#8220;Call My Name,&#8221; a well-received album recorded for Spain&#8217;s Vampisoul label.</div></p>
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		<title>General Electrics &#8211; Techno Kid</title>
		<link>http://www.musicadodia.com/general-electrics-techno-kid.html</link>
		<comments>http://www.musicadodia.com/general-electrics-techno-kid.html#comments</comments>
		<pubDate>Tue, 30 Sep 2008 10:52:06 +0000</pubDate>
		<dc:creator>musicadodia</dc:creator>
				<category><![CDATA[MDD]]></category>
		<category><![CDATA[boundless]]></category>
		<category><![CDATA[electronic]]></category>
		<category><![CDATA[free electron]]></category>
		<category><![CDATA[funk]]></category>
		<category><![CDATA[General Electrics]]></category>
		<category><![CDATA[hip-hop]]></category>
		<category><![CDATA[jazz]]></category>
		<category><![CDATA[keyboard]]></category>
		<category><![CDATA[pop-music]]></category>
		<category><![CDATA[sociable]]></category>
		<category><![CDATA[soul]]></category>
		<category><![CDATA[unclassifiable]]></category>
		<category><![CDATA[vintage]]></category>

		<guid isPermaLink="false">http://musicadodia.wordpress.com/?p=322</guid>
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#1 General Electrics is a free electron
Behind this name hides RV (Hervé Salters), above all keyboard player, specialist of instruments from the 60’s and 70’s: Clavinetz, Hammond, Rhodes. RV marked his style within the Vercoquin band, accompanying M and, on the occasion of numerous invitations, in Shoki Shoki by Femi Kuti, in DJ Mehdi’s Spy [...]]]></description>
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<p style="text-align:justify;"><strong>#1 General Electrics is a free electron</strong></p>
<p style="text-align:justify;">Behind this name hides RV (Hervé Salters), above all keyboard player, specialist of instruments from the 60’s and 70’s: Clavinetz, Hammond, Rhodes. RV marked his style within the Vercoquin band, accompanying M and, on the occasion of numerous invitations, in Shoki Shoki by Femi Kuti, in DJ Mehdi’s Spy Story, or, more recently, within the Qannum Collective. He is to be found on the forthcoming Blackalicious album, contributes his keyboarding skills to Lateef The Truth Speaker‘s and Chief Xcel’s project „Maroons” and their first album “Ambush”.</p>
<p><strong>#2 General Electrics is boundless</strong><br />
<strong>#3 General Electrics is unclassifiable</strong><br />
General Electrics belongs to those bands, which cannot be classified in a specific style. RV draws with the same urgency from the pop music, the hip-hop, the electronic music, the soul and jazz. With a very modest data processing equipment, RV mixes retro with electro, destroys and rebuilds, strokes then ill-treats sounds. Alternating instrumental with vocal tunes, RV achieves radical collages with Hip Hop, electronic and soul/funk music. “Cliquety Kliqk” is the outcome of this permanent mixture between “vintage” keyboard and electronic treatment. The result is a “modern” sound carrying with it the respect for the masters&#8230; which also is a visual experience, “Facing That Void” comes along with a fabulous video in tow! </p>
<p><strong>#4 General Electrics is sociable</strong><br />
General Electrics welcomes in three titles Lateef The Truth Speaker’s rhymes, the virtuoso MC from the Quannum stage (Blackalicious, DJ Shadow, Maroons). </p>
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		<title>TV On the Radio &#8211; Dirty Whirl</title>
		<link>http://www.musicadodia.com/tv-on-the-radio-dirty-whirl.html</link>
		<comments>http://www.musicadodia.com/tv-on-the-radio-dirty-whirl.html#comments</comments>
		<pubDate>Mon, 29 Sep 2008 11:55:41 +0000</pubDate>
		<dc:creator>musicadodia</dc:creator>
				<category><![CDATA[MDD]]></category>
		<category><![CDATA[capella]]></category>
		<category><![CDATA[doo-wop]]></category>
		<category><![CDATA[electro]]></category>
		<category><![CDATA[experimental rock]]></category>
		<category><![CDATA[free jazz]]></category>
		<category><![CDATA[post-punk]]></category>
		<category><![CDATA[shoegaze]]></category>
		<category><![CDATA[soul]]></category>
		<category><![CDATA[TV On the Radio]]></category>
		<category><![CDATA[TVOTR]]></category>

		<guid isPermaLink="false">http://musicadodia.wordpress.com/?p=315</guid>
		<description><![CDATA[[blipfm http://]
TV on the Radio (often abbreviated to TVOTR) is a New York City experimental rock band formed in 2001 whose music spans genres as diverse as post-punk, free jazz, a cappella, doo-wop, soul, shoegaze and electro. The group has released several EPs including their debut Young Liars (2003), and three acclaimed albums, 2004&#8217;s Desperate [...]]]></description>
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<p style="text-align:justify;">TV on the Radio (often abbreviated to TVOTR) is a New York City experimental rock band formed in 2001 whose music spans genres as diverse as post-punk, free jazz, a cappella, doo-wop, soul, shoegaze and electro. The group has released several EPs including their debut Young Liars (2003), and three acclaimed albums, 2004&#8217;s Desperate Youth, Blood Thirsty Babes, Return to Cookie Mountain (2006), which received wider notice and appeared near the top of several end-of-year lists, and Dear Science (2008). Rolling Stone magazine voted Return to Cookie Mountain the fourth best album of 2006, and Spin voted the band as 2006 Artist of the Year.</p>
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		<title>Nina Simone &#8211; Sinnerman</title>
		<link>http://www.musicadodia.com/nina-simone-sinnerman.html</link>
		<comments>http://www.musicadodia.com/nina-simone-sinnerman.html#comments</comments>
		<pubDate>Mon, 15 Sep 2008 14:39:47 +0000</pubDate>
		<dc:creator>musicadodia</dc:creator>
				<category><![CDATA[MDD]]></category>
		<category><![CDATA[arranger]]></category>
		<category><![CDATA[civil rights activist]]></category>
		<category><![CDATA[ecletic]]></category>
		<category><![CDATA[folk]]></category>
		<category><![CDATA[gospel]]></category>
		<category><![CDATA[jazz]]></category>
		<category><![CDATA[Nina Simone]]></category>
		<category><![CDATA[pianist]]></category>
		<category><![CDATA[pop]]></category>
		<category><![CDATA[R&B]]></category>
		<category><![CDATA[singer]]></category>
		<category><![CDATA[songwriter]]></category>
		<category><![CDATA[soul]]></category>

		<guid isPermaLink="false">http://musicadodia.wordpress.com/?p=192</guid>
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Eunice Kathleen Waymon, better known by her stage name Nina Simone, was a fifteen-time Grammy Award-nominated american singer, songwriter, pianist, arranger and civil rights activist.
Although she disliked being categorized, Simone is generally classified as a jazz musician; She personally preferred the term “black classical music”. Simone originally aspired to become a classical pianist, but her [...]]]></description>
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<p style="text-align:justify;">Eunice Kathleen Waymon, better known by her stage name Nina Simone, was a fifteen-time Grammy Award-nominated american singer, songwriter, pianist, arranger and civil rights activist.</p>
<p>Although she disliked being categorized, Simone is generally classified as a jazz musician; She personally preferred the term “black classical music”. Simone originally aspired to become a classical pianist, but her work covers an eclectic variety of musical styles besides her classical basis, such as jazz, soul, folk, rnb, gospel, and pop music. Her vocal style (with an alto vocal range) is characterized by intense passion, breathiness, and tremolo. Sometimes known as the High Priestess of Soul, she paid great attention to the musical expression of emotions. Within one album or concert she could fluctuate between exuberant happiness or tragic melancholy. These fluctuations also characterized her own personality and personal life, worsened by a bipolar disorder with which she was diagnosed in the mid-sixties, but was kept secret until 2004</p>
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